Over the last 30 years, the growing role of political Islam has attracted attention from both the media and academia. Although it is given various names, such as "Islamic fundamentalism", "militant Islam", "political Islam", all this is due to the fact that a certain trend in Islamic movement is gaining more influence in politics and security in the global scale. The decisive moment in this was the overthrow in 1979 of the pro-Western Shah monarchy in Iran and the creation of (...) the first theocratic world in the modern world there. (shrink)

Frant︠s︡uzʹka revoli︠u︡t︠s︡ii︠a︡: prokhodz︠h︡enni︠a︡ cherez smertʹ -- Romantyzm i khytristʹ dobra: Mefistofel i︠a︡k kulʹturnyĭ heroĭ -- Narodz︠h︡enni︠a︡ totalʹnosti: slabkistʹ indyvida, syla kolektyvnykh til -- Klas i︠a︡k hrupa obranykh: marksyzm -- Rasa i︠a︡k "use": rasyzm i zakhid -- Hotui︠u︡chysʹ do katastrof: palinhenesii︠a︡ i kinet︠s︡ʹ stolitti︠a︡ -- Fashyzm: triumf transheokratiï -- Nat︠s︡yzm: rasa i︠a︡ zakon -- Komunizm: vid emansypat︠s︡iï do rabstva -- Rosiĭsʹka ideolohii︠a︡: sumishi ta ekstremy -- Zamistʹ vysnovkiv: plynnistʹ ideolohiĭ i XXI stolitti︠a︡.

This article is the Opus postum of the author, who passed away in September 2023. Volodymyr Verloka is the author of numerous translations of philosophical classics from English, worked in various academic institutions, including the Institute of Philosophy of the National Academy of Sciences of Ukraine and the V. I. Vernadskyi National Library of Ukraine. He received his philosophical education at the beginning of the 1990s and personally witnessed the Soviet period of Ukrainian philosophy. The author’s critical reflections offered (...) here are largely the result of his own experience of participating in the work of various academic institutions of independent Ukraine, and are also an honest expression of his sincere desire to change the situation with Ukrainian science and higher education for the better. In the article, the author addresses the reconstruction of the specific understanding of science in the USSR, revealing such features as ideological, partisan, and bureaucratic. The author analyzes the documents of the era – the publication of texts by Friedrich Engels, Vladimir Lenin, Volodymyr Vernadskyi, Nikolay Bukharin, Petr Kapitsa regarding the role of science in society. The author also turns to the analysis of the key philosophical texts of the era, which are direct evidence of the open position of Soviet philosophers on various issues, such as the definition of science, truth, and practice, and also finds out the specific influence of the doctrine of communism on the idea of Soviet academicism as the only politically permissible and at the same time as supposedly the only scientifically possible academic position. For this purpose, the author primarily analyzes the texts of the Soviet “Philosophical Encyclopedia”. The author also refers to critical sources that analyze the Soviet era – the works of Alain Besançon, Nelli Motroshilova, Anatolii Yermolenko and Serhii Yosypenko, Evert van der Zweerde and others. The author also gives his own critical assessment of the presence of vestiges of Soviet academicism in the modern Ukrainian academic sphere. (shrink)

Стаття присвячена осмисленню мистецької спадщини античності з точки зору розкриття діалогічного взаємозв'язку "людина - світ Іншого". Античне мистецтво вчить краси та гармонії, що може бути покладено в основу розвитку екологічної свідомості, яка виходить за рамки етичного ставлення в царину естетичного. На думку авторів, для мистецтва Постмодерну античність може стати відправним пунктом відродження духовності та діалогу зі світом Іншого на засадах Істини, Краси і Добра.

Author thinks that Kant's critique of metaphysics is motivated by creative need in execution of the possibility of a holistic world-view. By directing thought to the sphere of theoretically appropriate, Kant gives metaphysics anthropological sense which strengthens his motivation. Anthropologist metaphysics gives motivation to creativity of philosophical thinking by opening volition to connect ontological and axiological in philosophical subject: it gives completeness to worldview. But scientific conscience has not overcome non-critical fantasies that scientific intellect can cognize the last truths about (...) the world without any intensional implicatures of anthropological origin yet. Anthropological method of critical thinking makes scientific intellect holistic and reflexive without censoring religious nature of humankind. (shrink)

B a c k g r o u n d. The purpose of this article is to reveal the concept of philosophical cosmology as a new metaphysics based on ideas proposed by Gilles Deleuze in his work "The Logic of Sense". For this, it is necessary to get rid of the interpretation of philosophical cosmology as an exclusively philosophical-scientific discipline and begin to perceive it as a basic theory of order that can replace ontology. To implement this strategy, Deleuze turns (...) to the ideas of the philosophy of Stoicism. This choice is primarily due to the first concept of sense (lekton theory), as well as the doctrine of space (khora) and the living, renewable cosmos (palingenesia). The relevance of Stoicism is reinforced by the historical and civilizational perspective, where the emergence and renewal of interest in the Stoics' thoughts corresponds to periods of violent crisis. M e t h o d s. The hermeneutic analysis of the works of Gilles Deleuze, the Stoics and researchers of Stoicism makes it possible to include the concept of philosophical cosmology in the foundations of spatial phenomenology which is implemented in the topographic method of researching its main subject, which is the world, and culture in particular. R e s u l t s. In this way, the philosophical cosmology of Gilles Deleuze provides grounds for a better understanding of the cultural and intellectual situation of today, which includes information overload and the essential uncertainty of the prospects of civilizational development, in which culture appears more as a spontaneous performative formation than a logical projected system of valid norms and rules. C o n c l u s i o n s. That is why philosophical cosmology has applied value, as it responds to the spatial and performative turn in modern culture. (shrink)

The author of the article, based on a study of the writings of intellectuals from the Ukrainian diaspora in interwar Czechoslovakia, primarily professors at the Ukrainian Free University in Prague (1921-1945), formulates some ideas and trends and defines the Prague period of Ukrainian political philosophy. This period is determined by the formation of a powerful centre of Ukrainian intellectual life in Prague, a kind of "Noah's Ark" of Ukrainian emigration. The Prague period of the history of Ukrainian thought in exile (...) is characterised by intellectual freedom of ideas and discussions, which is different from the situation in the postwar period. Among the main topics of discussion are the problems of philosophy of history and nation-building (national mentality, consciousness, national philosophy), problems of philosophy and theory of law, and discussions between modern ideologies. From the perspective of the history of ideas, the Prague period was a continuation of the history of Ukrainian centrism, the 19th-century Ukrainophile discourse that largely continued Drahomanov's ideas of "Hromadivstvo", combining classical liberal notions with an awareness of the importance of both Ukrainian national struggle and social emancipation. This calls into question the linear progressivist scheme of Ukrainian intellectual history, in which the period of "narodnytstvo/populism" is "dialectically sublated" by the modernist period, and "federalism" cedes ground to "independence" (according to I. Lysiak-Rudnytskyi), thus, the "Ukrainophile" stage of the development of the philosophy of the Ukrainian national idea has been fulfilled (in the terms of V. Horsky), and the Drahomanov's worldview had to logically surrender to the ideas of integral nationalism. The article challenges these evolutionist schemes and emphasises that the Prague period of Ukrainian intellectual history contains many useful ideas for the history of Ukrainian liberalism and centrism in general. (shrink)

The author studies the I. Franko's views upon the national ideal of the Ukrainian state development and the role of intelligentsia in national idea realization.

The idea of representation is a fundamental factor of the social privilege for any social institution that lies in a desire to establish the firmly true descriptions of the world, set facts and objective truths. Yet, it should be noted that assertions based on representation are not only the prerogative of science, philosophy, religion, art and politics, but also the immediate reality of social life. A denial of representationalism inevitably leads to the relativism as the abruption of a language from (...) reality. Since then, a language can assert anything about the reality without accordance to the reality proper, and thus, distort the reality to its substitute - a new artistic reality. Post-analytical philosophy covers the issues under the term anti-representationalism, i.e. reject representation as a productive notion or a concept. Representatives of new historicism, on the contrary, understand representation as a productive notion through which cultural creativity can be studied in performative aspects. Research of representation as fine art is an integrated part of social processes of separation, withdrawal, acceptance and domination, and is generally a social expression of power-strength processes. Post-analytical philosophy in the concept of anti-representationalism does not thematise artistic and non-artistic signs specifics. A language is claimed not to reflect passively autonomous objects in the world like a mirror, but constitutes them as technical artistic texts in a fundamental sense. Theory of language representation in the post-analytical philosophy progresses into language instrumentalism - a language is understood as an important tool with the help of which the humankind aligns with the reality. (shrink)

On Tuesday, May 21, the State Duma passed a second reading of the law on the protection of the feelings of believers. While the matter has not reached the third, last reading, I consider it my duty to pay attention to both the respected deputies, and Patriarch Kirill and the heads of other confessions, to a number of points.

The formation of the concepts and categories that human thinking and culture use is a process that is complex and long-lasting. This specificity of the logical framework of knowledge is due to its historical character, which focuses primarily on the development of consciousness in the stage of development. It is known that the original representations of man about the world had a mythological color. They noted direct intertwining in the practice of everyday relations, and therefore they did not raise the (...) question of their own essence. The same could not have happened, because the individual has not yet realized himself as a unique person. His personal "I" was inseparable from nature or was seen as a part of the generic team. The original man has not yet reached the understanding of self-determination and did not possess the ability to structure the consciousness in its relation to the world. Therefore, in terms of mythological worldview, the term "protocotographic forms of thinking", which represented the empirical integrity of man and the environment, was correctly used. Their specificity was to focus on the concrete. Animistic, fetishistic, and totemic beliefs set themselves the goal of discovering in the environment and distinguishing objects of magic or non-magic in the present concreteness. "Of course, as Ukrainian scholars point out," the protocategorial forms of the primitive and mythological consciousness did not have yet such a certainty that would represent an integral part consisting not of parts but of a dynamic organic ". (shrink)

In this paper, through the example of Antonii Radyvylovskyi’s work, I examine the impact of Seneca’s texts on the philosophical component of Ukrainian church sermons from the Baroque period. The objective of this study is to investigate Radyvylovskyi’s use of Seneca’s texts in his own writing. The result should help better understand the ideological influence of ancient philosophy on the formation of the national philosophical tradition of the Baroque epoch. The contents of ideological borrowings from Seneca’s texts and the mechanisms (...) of their use are traced. A list of Seneca’s texts from which Radyvylovskyi quotes is provided. It is also shown that Radyvylovskyi uses Seneca’s authority in his moral teachings and philosophical thinking about the characteristics of human nature. We conclude by commenting on Radyvylovskyi’s creative use of Seneca’s ideas and the significant philosophical component of his written legacy. (shrink)

У статті розглянуто питання промислового розвитку Донецького басейну, зокрема формування й розвиток вугільної й металургійної промисловості, які припадають на другу половину ХIХ - початок ХХ століття. Коротко описано найбільш важливі події та внесок українських і зарубіжних дослідників і підприємців у промислові перетворення на сході України. Показано, що бурхливий розвиток гірничо-металургійної промисловості та транспорту Донецького басейну в останній третині ХIХ ст. нерозривно пов'язаний з опануванням залізних руд Криворіжжя, тобто із системним розвитком важкої промисловості Ліво- і Правобережної України. Обґрунтовано, чому формування Донбасу (...) як промислового центру України доцільно розглядати як важливу складову глобального процесу світових промислових перетворень. (shrink)

This series of articles systematizes the events of settlement and economic development of vast spaces of North America, Australia, South Africa and North Asia, which are related to the movement of gold and diamond hunters. A chronological survey of the events is offered, the general phenomenon analyzed as well as specific aspects of its historical, mining, geological and organizational constituents covered. The material is divided into three separate but thematically united parts which describe the phenomenon of gold rush-spontaneous large-scale gold (...) mining at newly discovered deposits in remote parts of the world in the second half of the 19th century - the early 20th century. The impact of gold rushes in North America and Australia on the processes of global economic and financial transformations is shown. Large outputs resulted in setting a monetary gold standard which had been in place up to World War I: a wide turnover of gold coins, displacement of silver which began to act as token money as well as free exchange of paper money for gold coins. The above contributed to a sustainable development of world money relations which gave rise to a global financial system in the modern sense; a significant banks' influence on economic transformations as well as establishment of international centers for financial capital. Huge gold reserves were purposefully accumulated in the USA which, extracting an ample quantity of gold in its territory, bought up a considerable part of the world gold output, which eventually secured the key status of the American currency in world trade. Extracted gold played a key role in provision of financial resources for large-scale industrial development of the industrial epoch. Numerous migrations of working people from gold mining sites promoted the development and settlement of remote territories as well as the utilization of their natural resources in the global economic development. (shrink)

This series of articles systematizes the events of settlement and economic development of vast spaces of North America, Australia, South Africa and North Asia, which are related to the movement of gold and diamond hunters. A chronological survey of the events is offered, the general phenomenon analyzed as well as specific aspects of its historical, mining, geological and organizational constituents covered. The material is divided into three separate but thematically united parts which describe the phenomenon of gold rush-spontaneous large-scale gold (...) mining at newly discovered deposits in remote parts of the world in the second half of the 19th century - the early 20th century. The impact of gold rushes in North America and Australia on the processes of global economic and financial transformations is shown. Large outputs resulted in setting a monetary gold standard which had been in place up to World War I: a wide turnover of gold coins, displacement of silver which began to act as token money as well as free exchange of paper money for gold coins. The above contributed to a sustainable development of world money relations which gave rise to a global financial system in the modern sense; a significant banks' influence on economic transformations as well as establishment of international centers for financial capital. Huge gold reserves were purposefully accumulated in the USA which, extracting an ample quantity of gold in its territory, bought up a considerable part of the world gold output, which eventually secured the key status of the American currency in world trade. Extracted gold played a key role in provision of financial resources for large-scale industrial development of the industrial epoch. Numerous migrations of working people from gold mining sites promoted the development and settlement of remote territories as well as the utilization of their natural resources in the global economic development. In the proposed third part, the authors cover events in North Asia - in the Urals and Siberia. (shrink)

The article offers a comparative analysis of the peacemaking views of Immanuel Kant and Volodymyr Vynnychenko, who sought to find effective mechanisms for establishing “perpetual peace on earth”. The model of the Ukrainian writer’s collectivist society represents the Kantian concept of a “federation of free states” and an alternative for the modern world without war. Common points of contact between the philosophical treatises of Kant and Vynnychenko are found and the progressiveness of the “utopian” projects of thinkers that have (...) already been implemented or are at the implementation stage for its improvement is shown. It is proved that the Kantian-Vynnychenko peace is a phenomenon that developed in a certain cultural and historical context, so it is quite legitimate to talk about the identity of German-Ukrainian ideas in terms of the continuity of the philosophical tradition and temporal connections. We hypothesize that both authors created an effective conceptual basis for achieving peaceful coexistence on Earth, which is neither rational nor logical to neglect in today’s realities. (shrink)

This article is devoted to the crisis of the modern philosophy caused by the generally accepted approach towards the ontology issues of existence and the ways to solve these problems. Before Kant’s theory the fundamental principle of the universe organization in the ontology was the determination of the existence as the number of objects that were independent from the subject and explored as they were. Kant showed then that the subject deals only with the images of its own conscience. The (...) existence became not the thing-in-itself, but the thing, that opens to the human mind. But this experience gave no answer to the question about the differences between the immanent perceptions of conscience and the universe itself. This article reveals that the transition from the understanding of things as independent existing objects toward the understanding of their subjective origin as objects themselves demands more radical conclusions. These conclusions consist of that fact that the ontology should concentrate more exploring existence as the unformed organic whole and not to forget about its general problemsand presentations about the conscience. Currently we can get non-verbal knowledge about the existence itself and take steps of getting verbal one. Separation of the existence as the unformed organic whole from the presentations of conscience prevents from mistake of determining the things created by the subject in the process of universe perception as its attributes (the plurality of interpretations turns into the ontology pluralism). (shrink)

The aim of this paper is to examine whether it is morally wrong to ban only male citizens from leaving a country in wartime, and if it is, why it is the case. Following Russia’s invasion of Ukraine, President Volodymyr Zelensky declared martial law and ordered general mobilization, at the same time prohibiting male citizens aged 18 to 60 from crossing the border. The justifiability of the ban is in dispute, and opponents have made a case in both legal (...) and moral dimensions. In the moral dimension, there are arguments based on consequentialism, individual freedom, and fairness or non-discrimination. In this paper, I focus on the third argument and argue that the ban unfairly and morally wrongfully discriminates against male Ukraine citizens on the basis of their gender. First, I define discrimination and apply it to our case. Second, moving from the descriptive definition of discrimination to its moral wrongness, I argue that the male-only ban is unfair and morally unjustified. Third, I argue that the ban can also be deemed morally wrong from one of the prominent views in the field of the ethics of discrimination, namely the deliberative freedom view. (shrink)

Interview of Vsevolod Khoma with Professor Tamara Yashchuk within the framework of the research program “Ukrainian Philosophy of the 60s-80s of the 20th Century” of the Student Society of Oral History of Philosophy.

The effects of humankind during the Capitalocene period caused planetary changes that resulted in the devastation and destruction of the Earth. The nuclear tragedy at the Chornobyl NPP on April 26, 1986, should serve as a constant reminder to society as it provided an example of dysfunctional totalitarian management. The topic of Chornobyl has become socially tiresome in recent years due to the trivialization of this large-scale anthropogenic, ecological, economic, and humanitarian disaster. The image of Ukraine as a hazard area (...) has gradually been replaced in world consciousness. When Russia, the aggressor country, started to intimidate the world with nuclear and thermonuclear weapons and to take the nuclear power plants in Ukraine under fire, the danger of radioactive materials came up once again. Phosphorous ammunition used in Ukraine in 2022 demonstrates that the terrorist state is capable of anything. Scientists also relate to earthquake motions that occurred in Turkey in February 2023 and Japan in January 2024, with the displacement of continental plates of the Earth’s crust resulting from missile attacks at the surface of the Earth. In the 21st century, there was a need to reconsider and refresh memories as well as to reread the works under a new perspective to draw attention to crimes against the safety of humanity and the environment, as well as to popularize, preserve and pass historical knowledge to future generations to protect them from traumatic experiences and self-destruction. The article aims to look at the postcolonial environment in contemporary literature of fact through the spectacle of ecocritical discourse via reading the works on the Chornobyl disaster. The objects of the study are Galia Ackerman’s work “Crossing Chornobyl”, the documentary and publicist chapter “Chornobyl Scenario” from the novel “Non-format Journalism” by Hryhorii Krymchuk, Volodymyr Shovkoshytnyi’s semidocumentary short story “Chornobyl: I Saw It”, the chapter “Elon Musk, “Tesla”, and Nuclear Power Engineering” from Maks Kidruk’s popular scientific book “Theory of Improbability”, Oleksii Radynskyi’s literary report “Chornobyl Is Ukraine”, and Markiian Kamysh’s travelogue “Stalking the Atomic City”. Study methods include principles of science, objectivity, and source verification. General scientific and special scientific research methods used in the study are a descriptive method for synthesizing and systematizing selected material; comparative and typological methods involving the elements of cultural, comparative, and narrative studies to compare the ways various authors have covered the Chornobyl topic; an ecocritical method that has made it possible to apply naturecentric approach to conceptualizing interaction between a human and nature to develop eco-conscious society; a postcolonial method aimed at conceptualizing the consequences of colonial rule via non-fiction text. (shrink)

Don't tell terrible stories—everyone here has enough of their own. Everyone here has a whole bloody sack of terrible stories, and at the bottom of the sack is a hammer the narrator uses to pound you on the skull the instant you dare not believe your ears. Or to pound you when you do believe. Not long ago I saw a tomboyish girl on Khreshchatyk Street demand money of an elderly woman, threatening to bite her and infect her with syphilis. (...) Don't stroll through Volodymyr Hill Park, don't stroll around the botanical garden, and especially don't stroll on Kontraktova Square. Don't stroll anywhere. Don't go to the pavilion with the Golgotha panorama near St. Alexander's Church. Not even the twelve-meter-tall crucified Christ will save you. Don't go outside when it's dark and people turn into shadows a shade darker than dark. Also don't go where you can be seen from far away. Not to imply that people used to be like a bunch of lilies, but now they stink like a cellar of cabbage.The city, which earlier might have had some fun, is now going crazy. It's like a fish in warm water: it doesn't react to anything, swims slowly like it doesn't care if it swallows a hook or not. The excitement and exaltation pass into oppression, just as our necks have sunk into our shoulders, our shoulders into our lumbars, our lumbars into our nether regions. The holiday turns into a funeral, the parades into explosions, depression into mania. Winter passes into summer, people turn into beasts, the hours into ages, and the ages into hours. It's worth simply walking around the city to see a soldier from an unknown army taking a piss near the opera. Farther on is a row of identical old widows selling ball gowns and candelabra. Then there are the aristocrats and manufacturers who throw so much at the prostitutes that they'll soon be richer than their wives.I returned late through the Kyryliv Wood, not heeding all the warnings that I myself have given here. It really is dangerous—the place is famous for it. There's a madhouse nearby, caves where criminals and the sick can hide out. Also, once upon a time, as they say in fairy tales, the great dragon Zmei Gorynich lived here beside the Puchai River. The stench in these places drives away the most committed misanthropes and even one type of philanthrope—that is, perverts. It sounds dumb, but the stench is cleansing. I don't know where it comes from. After the operating theaters and the rooms with amputees, the stench no longer repelled or attracted me; it just was. And this was a great place to think. As I walked, I considered an incident with our patient.The patient, a respectable individual whose name carries too much weight for me to state it directly, one day began to assault people. He nearly strangled a merchant who he believed asked too much for a beaver coat. He likewise wanted to kill his business partner when he didn't say hello loudly enough. But the worst was, he lost all shame of his own nakedness. At first it was the police who took care of it. When our future patient slipped off his pants and undergarments, he was taken to Kyrylivska, which has had means for dealing with such cases dating back to the day when unhinged Cossacks and composers from Kyiv Mohyla Academy were taken there.During the examination we determined that the patient was experiencing a severe breakdown. His wife added that lately, more than once, he had allowed himself strong words in front of the children and often suffered from ennui. Furthermore, she said, the patient had been undergoing treatment for “the French disease” for some years—which was, obviously, where we needed to start.“Syphilis!” Skorsky spat out the matchstick he was chewing on. He was a specialist on the psychological aspects of diseases related to the venereal. “Tertiary syphilis! When poorly treated, over time ‘the French disease’ can destroy the central nervous system. Hence the patient's chicanery. Such theater!”Skorsky and I had not spoken since the incident at Bilinsky's. Meanwhile, something significant had happened to him. The most boring person on earth, Skorsky had simply caught fire. He said hello and kibitzed. I even heard the doctor got drunk alone in his office, then wandered through the forest. Could he be using narcotic substances?“Cocaine!” was the doctor's second proclamation. It was his favorite treatment for the psychological complications of syphilis. Skorsky himself never took what he called “the universal drug”—good for alcoholism and toothaches, neuroses and morphine dependency—though he had read in an article by a respectable Viennese physician, who used cocaine as a panacea, that it was not addictive. That doctor subsequently recanted, but Skorsky paid no attention. He believed the retraction was made under pressure from pharmacologists who had no incentive to cease production of the medications that cocaine might supplant. Their representatives either paid or threatened the Viennese to repent.As the patient was escorted to his room, he assaulted the orderly, Alevtyna. They tried pulling him off her, but, though he released his fingers from her neck, he buried his teeth in her leg. The poor orderly, who had not until then been attacked by a psychotic, nearly died of fear. Later, panic set in over Skorsky's diagnosis. He told her about the consequences of syphilis: grotesque patterns on one's face due to infection of the skin, mucous membranes, cartilage, and bones. He went on about the devastation to the central nervous system, which they had just observed in real life: “The face starts to look like lace some mangy dogs fought over before rolling in the mud.”Alevtyna, who had not yet regained her faculty of speech, straightened up. Ignoring the slavering male orderlies, she bared her leg to get a better look at the wound. She then ran down the hall and out into the garden, where she fell on the ground to rip up grass and small bunches of daisies. Alevtyna ate them along with the soil in their roots.“Minor hysteria. She needs fifteen milligrams of cocaine.”Skorsky took a snuff box out of his pocket and scooped up some white powder with a toothpick made from a goose feather. He gave the order to close Alevtyna's mouth and one of her nostrils, forcing her to snort the medication.We fretted over her so long that evening fell. I decided to walk down, along the ravine, behind the church.It was unlikely there were any large beasts there, but something was rustling. The pits and mounds, ravines, paths, graves of witches whose living sisters flew in the treetops from time to time, the whispers of the forest spirits, the spirits of the nutcases who died in the hospital, the spirits of the monks from the St. Cyril Monastery, Zmei Gorynich and the bogatyrs who wanted to defeat him. The city would be calmer without this forest. I saw the gaps between the trees and went off in the direction of the tram tracks.As I was coming out of the forest, there was a patch of Amanita muscaria that had been trampled into porridge. A bit farther on, the body of Professor Bilinsky lay killed in the blackberry bushes. The way he was lying it looked as though he had not struggled before death. I quickly examined his body but saw nothing out of the ordinary. There were no wounds, no dirt under the fingernails. Animals had not yet smelled the carrion, but swarms of various insects covered him. Oh, why did I have to find the putrid body?The best thing would be to take the tram to his house to inform his relatives. The doors closed, and I noticed my own calm. This death had not evoked any emotions in me other than a feeling of responsibility, the need to tell the family. But also—some alarm at the thought of who the murderer could be. I knew that it was murder.“Your nose is bleeding.” A woman as round as an onion, carrying two baskets full of strawberries, offered me an ironed and starched handkerchief.“Have I dirtied my shirt?”“No, it's as neat as a pin. It's just your nose that's dirty. Wipe it now before you spray blood on my strawberries.”“No one will see the red on red.”“Ah, but it's salty!”“You know why it's not sweet? We'd drink it like syrup.”“Those with Christ in their heart do not talk that way.”“Are your strawberries expensive?”“Why? What?”“I'm checking to see if you have God in your heart.”“Child, if you knew how I have to work for this berry! I have to weed it a hundred times. In a week, the quitch grass grows as high as a horse. And I water it with water I carry from the stream, it kills my arms... ”“How much are the berries?”“They're not for sale. Anyway, soon money won't mean a thing. Soon all money, all these papers made from the skins of sinners on their satanic presses will be annulled. What matters is how we treat each other.”“So if I try your strawberries for free, my ‘thank you’ will be enough?”“Hands off!” she said and thwacked my fingers.I heard loud laughter behind me—same laughter as from the café near the Continental. There was no one sitting near Alina. (This is what fate looks like, remember.) Without asking, I sat next to her, away from the old lady.“Excuse me, but the night before last didn't you, yes, didn't you intrude on my privacy?” She started right away.“I saw it a little differently. Who was that young man with the mustache who paid me for you?”“Are you checking to see if you can flirt?”The tram stopped. People got on and off.“Are you coming back from the hospital?” she asked. “Don't be shocked. My uncle works there. He's told me all about you.”“An uncle by the name of Skorsky?”(Remember: this is what fate looks like.)“Yes. Skorsky's been strange recently—says things that make me wonder if he hasn't lost his mind. Have you noticed anything?”“I don't know.”“You know perfectly well.”“Where are you going?” I tried to change the subject.“I have to send something to my theater friends in Odesa. By the way, they'll be putting on Oedipus Rex soon in Kyiv—in Ukrainian.”“Greek tragedy in Ukrainian! That's a first.”“Exactly. The troupe is rehearsing now in Odesa. The theater where they will perform this fall is being remodeled.”“Wait. Now I remember where I've seen you before—it was at a performance! Vynnychenko's Black Panther and White Bear, at the Bergonier on Fundukleivska.“The same director is doing the Oedipus. He's my friend.”“He's your friend in what sense?”“Again with that tired subject. By the way, I've been thinking about you.”“And I about you.”“That's good. I was thinking not about you, to be precise, but about that elevator you invited me on.”“Who was that man with you?”“Like a broken record! Even if he had been my fiancé, I'm not bought or inherited. I'm not a brooch or a hundred acres of land, and I'm not a house in Kaniv!... Who was with you when you saw Black Panther?“Ah, so.”“Answer!”“That was my mother. She looks very young. She is coming to Kyiv the day after tomorrow. I can introduce you.”“Oh, this is my stop.”I looked out the window and realized that I had long since passed the stop for Bilinsky's.“Can we see each other again?”“We can. But you have only one chance.”Alina the anarchist wrote something on a scrap of paper and handed it to me.Morning, not morning but a thick porridge (I hate porridge). Dew, thick spit, crushed fruits, urine, all on the sparkling cobblestones. The sun, just barely having made its appearance, is already scorching. The human masses scurry and grumble like poorly digested food inside a stomach.I walked diagonally across St. Sofia's Square, then along the perimeter, then one edge, then again diagonally across. I went underground. The basement café of the Continental Hotel was practically empty. I again asked the server to bring the cloth with the embroidered portrait, but I couldn't remember the musician's last name, only that it ended with -sky. The server said that -sky was currently in the southern cities of Yalta and Odesa. I added that Kurbas, the director, Alina's friend, was also in Odesa, rehearsing Oedipus Rex, and that he'd previously put on Black Panther.I was bored, so I walked along Khreshchatyk and then headed down, calling to mind all the Kyiv churches of Podil: there's Birth of Christ, St. Nicholas on the Shore, Intercession, Pyrohoshcha, Holy Presentation, St. Dymytrii Rostovsky, St. Illia's. And also the Epiphany Brotherhood Monastery, Ascension Convent, and St. Katherine's, all these whipped-cream churches on the waffles of our streets. A few of them reminded me of themselves by appearing suddenly out of nowhere.The smells on Kontraktova Plaza where commerce buzzed were like multicolored light bulbs turning on one after another. Here you could catch the aroma of Balabukha jam, which blended with the next smell, English shoe polish at the Raiskys’ shop. Then the crunchy-smelling cabbage from old women standing in a row like herons and spitting out the shells of sunflower seeds. Farther on, the stench of a good-sized rat that crawled under Mrs. Shevchuk's shop where she sells broadcloth. Oh, she can't scream: no, she'll quietly dig that rat out herself so as to not scare off her clients.I bought a paper and two pairs of underwear. I asked two laughing young chambermaids who were secretly puffing in a grape-filled yard for a smoke. I wandered around Podil until evening when I came across a sawmill near the Dnipro that surprisingly smelled pleasantly of mazut fuel oil. The weather was dry, yet in the middle of the road was an enormous puddle, a deep dark black. A forty-year-old woman in a pale pink dress stood near it. The theatricality of it all provoked me to pose her a question,“Ma'am, what should I do?”But she paid me no attention. I shouted,“What should I do?”“What to do, what to do?” she said in Polish. “Jump in the water and swim so far away that you cannot return.”I quickly crossed a section of the forest. The wind brought a mixture of unpleasant air, like a stinky handkerchief held under one's nose. Passing the trees, I saw light in the spaces between them and exited at the hospital.Outside the windows, two orderlies lay in chairs with their heads thrown back. Two others—fools—ran around the yard in different directions, peering out at... something. The lights on the first floor of the hospital were on, and the staff milled about.“You're just in time!” said Ivan, a tall, young orderly.“For what?”“Your patient ran away! We went into his room and he wasn't there.”“What patient?”“The one who bit Alevtyna,” said Danylo, the other orderly, short and middle-aged.“That's Skorsky's patient, not mine.”I had no intention of helping them. This was all history—like my family, Kyiv, and my previous life. I had no intention of thinking about it. I wanted to go to my office, pack up my field surgery kit, and get out. So what? Their psychotic syphilitic ran away—it happened.Of course, that patient could have something to do with Bilinsky's murder. But that was no longer my problem.“What a strange coincidence!” the doctor on duty said. “Comrade doctor, the other one responsible for this patient was just here.”“And where is he now?”“He took off toward the church to look for the patient.”“Didn't the patient escape earlier?”“Don't know.”“How do you not know? You had better call the police, moron, before he kills someone. And get those sleeping orderlies to look for him.”“They can't... ”“Why not? Should I go wake them?”“They're on morphine.”“And you, I can see, have lost your mind. Go, catch your psycho! If it turns out that he killed Bilinsky—and on your watch—you can't imagine what's in store for you.”I adjusted my homburg and set off in the direction of St. Cyril's, that unwelcoming monolithic cube. I glanced around—what if our escaped syphilitic were to jump out of the bushes and bite or strangle me. I looked around because I wasn't sure of my actions, wasn't sure of my choices. Tripping over a clump of clover, I reached the open doors of the church. I couldn't stop myself from going in.The walls and ceiling were covered with frescoes. There was what used to be an angel rolling up the sky on the southern column of the narthex. But also graffiti: people scratched their names on it so as not to be forgotten—their idea of eternity. Prince Volodymyr the Great compared this activity to the desecration of graves. The vandals paid a fine and were beaten with canes. During the raids of Batu Khan, the church was deserted and cracks appeared all over it. Wild martens and feral dogs sought shelter here; insects swarmed under the ceiling with its red mosaics. Birches grew in its midst. Water seeped in the cracks, the water became ice, the ice widened the cracks, more water seeped in the cracks, becoming more ice that further widened the cracks, the wall split and nearly fell over, and then the wall fell over. Yet the angel is still rolling up the sky... When I reached the exit, I heard a rustling behind me. I turned after I stepped outside: in the depths of the church, like a stick in a pot of tar, stood a man with a large bag thrown over his shoulder and a revolver pointed right at me.“Is that you, Doctor?“Don't move!”“What's... Skorsky, what's with you?”“Don't move, I say!”“What are you doing here?”And finally I understood... Skorsky was himself the psycho! (Really, I had known for a while.)“You are the murderer! I knew it! But—why?”“Shut up.”“It was you. You! The stolen cigarettes, the strange behavior, Bilinsky. If I shout, everybody will come running. They've already called the police!”There was heavy breathing behind me. And then a gun rang out.The city is overgrown with new buildings. They encircle everything that was once on the periphery. Kyiv has become an old lady that can no longer restrain herself in the face of pastries. The city climbs farther. It steps over the swamps, turns the old rivers into a series of lakes; the other bodies of water it drives into canals. The grain that falls from the wild wheat is black. When the sun heats it, the grain melts and trickles into the earth. St. Cyril's stands indestructible. No one spackles the small cracks in its walls with either expensive putty or glues, nor with cheap cement and whitewash. One day a small fox appears in the doorway. It runs inside and along the floor of simple gray tiles. The gods watch from the walls, watch and fall into ruin. The fox runs to the iconostasis. Before it is a time-darkened Virgin Mother and Child in oil on sheets of zinc. The fox runs the metal steps that wind up to the second floor. The fox runs past all the vaults, naves, all the frescoes. A buckthorn seed flies in through a broken window. It will be the first. Soon the buckthorn will grow everywhere. A dumb hare will make its nest in the buckthorn bushes and nightingales will settle in the upper branches to sing until the end of the world. The fox runs between the thick rays that penetrate the windows. It catches one of the rays, squints its eyes, and warms itself in the sun.The shot rang out, but I did not fall. I looked around—and on the church threshold was our syphilis patient bearing a rod. His head lay on the rocks by the doorway.“If only he'd been at the stage of nose deformity! Just imagine: a hole instead of a nose plus a hole from the bullet—like an extra pair of eyes!” Skorsky laughed at the corpse.“We need to call the orderlies.”“They heard the shot. They'll run here on their own. You see, Professor Bilinsky believed it would take two or three years to wrap up this patient's case,” Skorsky told me. “But I took care of it much faster!”“Excuse me, but I'm going crazy in this city. I thought that you were Bilinsky's murderer.”“Just so. Why not? I am Bilinsky's murderer.”“Don't tease. You've changed a lot recently, so... ”“Yes, I've started killing people. You might term such a change significant.”“You have the right to irony.”“I am not being ironic.”“Let's call it sarcasm.”“It's the honest-to-God truth.”“And yes, you have the right to mock me.”“Well then, let's be done. To the horses!”“What horses?”“Alina's waiting!”Alina, her uncle Skorsky, a few others I didn't know, and I rode like the wind that ripped off my homburg and carried it back to Kyiv.“There's a fresco in the choir loft at St. Cyril's where Vrubel painted himself and patients from the hospital as the apostles. When I came across it by accident, I really believed they were saints,” Alina said.“I've never been up there. I've only seen the church from below.”“Remember the way back so you can see it sometime.”“The Puchai River used to flow here. You shouldn't trust the landscape,” Skorsky said, reaching for something, perhaps his bag, just when we left the darkness of the trees and saw the endless steppe ahead of us.We rode all night without stopping. Though no one was chasing us. Though we had nowhere to be. We rode like beasts released from a cage. The promises of the horizon turned what we'd left behind into a cage fit for those from whom freedom had been severed, like an anomaly, at birth.The pre-morning sky looked at first like a sack of turnips—filled with something heavy. But with each verst, the sky became lighter. When it was finally light enough to see clearly, we arrived at a knoll at the foot of a stone wall that from a distance had appeared to be a gigantic piece of halva. The exterior ruins of the castle gave no hint of how it was when all was fine here, when people defended themselves successfully from the nomads’ raids. From far off, the wreckage looked like a natural agglomeration of stones—a rocky elevation, no more: a cluster of cliffs. It would rain a few hundred more times, a few hundred more winds from a few hundred directions would blow on this heap, and it would collapse as though nothing had ever been here.A few stalks of wheat grew from one of the rocks. Someone had probably cast a handful of grain here for some birds that forgot to eat it.“Who could this castle belong to?” I asked Skorsky.“I reckon the Swan Princess,” the doctor rejoined, hoping to sound knowledgeable.From behind one of the piles of gray sandstone emerged a young man in a black reptilian coat and a white papakha as lush, bright, and out of place as a dahlia. His name was Artem. The heat was melting our brains, but he was dressed like that, in rooster fashion, which was popular among the otamans. Artem helped Alina dismount her horse and tried to kiss her on the lips, but she offered him a cheek instead.Had she been racing to see this clown?We entered the yard—the ruins had fashioned an internal space that was more or less protected, at least from strangers’ eyes. It turned out that there were even places where it was possible to hide from the rain, and from there the ruins didn't look half bad.In the center of the court was a table, and on it a wooden bucket with pink gladiolas. How romantic! It all looked like it came from outer space. Where on earth, in the middle of the steppe, far from any village or town, did this table, this simple table, come from? And the gladiolas? The steppe hadn't been plowed in so long that any cultivars would have gone wild, degenerated, dried up completely.A campfire crackled nearby—a little preview of what we would soon do to the houses, villages, and cities. Artem the otaman brought over a cezve from the fire and poured the first portion into a small, copper cup for Alina. He also got out a porcelain cup with images of rosy cherubim—but how...?“Who else would like coffee?”Only Skorsky and I responded. The question excited me, even distracted me from the thought of the kiss I had recently witnessed and the Kyiv I had recently left.“It's obvious who the professors here are; cultured people drink coffee. Are you both doctors?”“Uh-huh.”“For wolves of the steppe, like us, doctors are gold, even more precious than gold. Actually, a Hippocrates like you should eat more, because those in your profession will soon be worth your weight in gold. Work on your figures, both of you.”“Who will take pity on the horses that have to carry us?”“We'll find the horses. And very large doctors can be transported on machine-gun carts. We'll need to seat the otamans near you. Only a fool would shoot at a doctor.”“I think we'll find quite enough fools here.”“With your beard, Doctor, you look like Tsar Nicholas II. But even so you won't be shot. You might even be canonized!”“We've only just arrived and you're going on about executions,” Skorsky grumbled and checked to make sure that he still had his bag.“Apologies, apologies, pardonnez-moi. But you are not merely a doctor. A venereologist! Skorsky, you're a specialist! A venereologist is the most important person in wartime. The most valuable! You are the botanists of war. You can't imagine what varieties of flowers grow here, and these beds have long awaited a proper gardener. Or even just a man with a scythe!”“Bite your tongue,” Alina said. “I don't need to listen to this.”“Yes, yes, of course. Excuse me, my r—. ” He almost said “rose.”We rested all day. We went down to a surprisingly close river overgrown with lilies. We rowed the boats left by fishermen. I talked to Skorsky. He took his bag everywhere, refusing even to swim so he wouldn't have to part with it. I asked him what he had in it, but he said it wasn't my damned business.Alina rowed with the otaman to the middle of the river. They were having a loud discussion. She was waving her hands. The current carried their boat downstream slowly and smoothly. What a nuisance, that current!I tried to meet with Alina one-on-one, but she was avoiding me. In the morning I was confused, by lunch I was sad, and after lunch I got angry.In the evening, I lay on the hot grass and drank another cup (I have no idea where they got such good coffee), which had no effect at all on my sleep. I watched the Perseids. Every year, the Earth passes through the tail of Comet Swift-Tuttle. People can see the meteor shower and make a wish. I wished. I counted forty-seven falling stars. All forty-seven of my wishes were for the same thing.Around the campfire, they were sitting, talking. I saw how he tickled her face with a piece of grass and she brushed him off in annoyance. Then they were screaming at each other. Later they again spoke kindly, after which they again quarreled. My joy grew after each tiny mistake that Artem made. I wanted him to show the worst he was capable of.They were screaming at each other, but all I could hear was beautiful opera singing. The stars fell to the sound of their screaming. The stars blessed my joy.Then this happened: Alina kicked the fire, scattered burnt kindling, and burned some of the grass. Artem grabbed her by the arm, but she broke away from him and ran off to the horses.“Go then! I guarantee you'll get to Katerynoslav and return with your tail between your legs.”“I'm going to Huliai-Pole! To Father Makhno!”I jumped up and ran after her.“Where do you think you're going?” Artem shouted.Really—where was I going? I was going after her: to Huliai-Pole, to Katerynoslav, to Rome, to Washington, to Istanbul, to Montevideo... “Go to sleep,” he said. “Come morning, this coquette will be here, right as rain. We've already been through this show. Tomorrow she'll be right here next to my boot!”... No, she won't.In some sort of shape we entered some town. There were some buildings that were some colors, some trees, some streets, some roads, and some signs. Posts, flustered birds’ nests, echoes, colors, shapes—each of some kind. A wedding procession was coming toward us. If you want to make orange, you need to add yellow to red, and then bam—it's black. If you want to salt the soup, shake in a little, and then bam—two handfuls. You want to say a kind word, and then bam—a punch in the face. I was rocked around like a watermelon on a boat and threw up my breakfast straight into the horse's fluffy mane. Sanko found this hilarious, but I said I'd pulverize him. So Sanko sped ahead.No one knew anything about Alina. The daytime sky was like a poorly washed bowl. The sun was a squashed, rotten apricot. The night sky looked like the sole of a boot to me. The moon was a dirty cheap copper coin that had gotten stuck to the sole. Everything seemed spoiled to me, irrelevant, unnecessary. Without her, this journey was a waste of time.“You'd better stay away from everyone,” Artem said. “You'll infect us with your pining, and pining is worse than the clap.”The wedding procession was before us. The young couple, still utter children, walked so calmly it was as if they didn't see us. As if we were made of a light breeze—our bodies, clothes, our horses and their iron shoes—of the lightest gasses. As if we were visible only to ourselves and the coal-black dog that barked, panting and gasping.The wedding was headed straight for us. We were in the middle of the road, and so were they. We approached each other slowly, a wave going toward a wave. Some ten meters before their indifferent faces, I noticed the color of the bride's eyes. And the coral-colored tulips that fell on the road before her. Round goose eggs on meaty stems, the flowers were falling and falling before her. The bride's eyes were almond shaped.“Hey there,” Artem shouted at me. “Wake up!”I came to and saw the whole village, everyone there, not realizing my group had turned left onto a side street away from the procession. The tulips disappeared—where'd they get tulips in the fall? I was sitting alone on my horse in the middle of the road, and the entire wedding procession came to a stop. I moved to the side, and the throng marched on, cutting off our escape route. We rode a few more meters and came across the synagogue.“You know what, you're right,” said the otaman.“Who is?”“Oleksii is the only one here who's right.”“About what?”Artem turned his horse and raced back. Everyone stood still while he ran his horse into the crowd and began firing his revolver. People scattered in all directions. Artem trotted, cackling like an imbecile. The horse kicked an old guy in the mouth. The man fell, spitting out his gold teeth. We rode up to the commotion and formed ranks, but none of us wanted to join the otaman.The bride stopped in the middle of the street. On both sides were buildings and trees, as well as dust, sky, and sun. She stood still, beautiful, as if nothing had happened. Then she adjusted her garland and walked calmly on.“Well, should we get some sugar now?” Artem laughed, looking at the bride, and off he went toward the sugar factory.It was then I noticed that all of the houses had shutters—fuchsia, blue, ocher—and that all the shutters were closed.We flew toward the dirty building, whistling and shouting. If there had been aesthetes among the otamans, they would certainly have razed the abomination in this field after seizing it. They would have spread soil on top and sown buckwheat. Long live buckwheat!, that wonderful crop. Like hunting dogs hot on the trail, we raced to our defenseless victim, with the baying of hundreds of hounds behind us. The field shook beneath us. We became an artist's canvas, evolving from Realism to Romanticism, Romanticism to Expressionism, Expressionism to Suprematism. If we had been painted in black and white, we would have been splotches (until the ink ran, annihilating all remaining patches of white).Two men stood near the gate—unarmed and undressed, in nothing but their undershirts and boots. Our fervor, our kinship with the elements, our entirety, were all for naught.“Jesus Christ! What bores!” Artem exclaimed. “How boring you are!”“Maybe boring for us, but fireworks for them,” Sanko said, dismounting his horse.“The fear of death engenders creativity,” our otaman—a distinguished philosopher of the early twentieth century, that demonic breed—prophesied.He went on, “Excuse me, but with all due respect, we are not going to search you. Just show us right away where the money is. Why are there so few of you? Don't say there's not much money. I want piles and piles of money! If you don't show it to us, we'll print our own on your skin. Believe me, we will.”We entered the factory grounds. There were no workers, only an enormous mountain of sugar beets that looked like a pile of coal from a distance and a pile of dead rats from up close.“So, did you have a good year?” Artem asked a man in an undershirt.“Not really—too dry.”“Nah, that's fine. You wouldn't have been able to gather most of the harvest this year anyway. There's a fire burning across all of Ukraine, all of Russia. The whole world!”While Artem tossed thoughts like well-chewed sunflower seeds into the crowd, the two men quietly stepped aside and then ran fast ahead to the factory's main hall. The gigantic door slammed shut. The gate was locked behind us! The windows were smashed! The factory roared from inside like a cumbersome machine starting up. Bullets whirred through every window.“Bastards! It's a trap! Quick, after me!”Still on horseback, Artem bounded over to a vast window, low to the ground, and smashed it mercilessly. He broke the frame and jumped inside on his horse. I and a few others followed. We broke into their lair, threw open the doors, and let the other warriors inside.Iron vats of hot sugar were steaming, pipes were clattering; machinery groaned.“Parasites!” Artem gritted his teeth. “I'll get you. I'll get you red sons of bitches. Painted whores!”At the word “painted,” his horse fell to the ground. Lying prone, Artem continued fighting, but the red soldiers wouldn't let him stand. Fighting nearby, I rode over to assist but did not know where to aim. Artem got up, ran forward, and brought his sword down on the head of the closest soldier, all the way to the middle of his skull, to the bridge of his nose. It was like butchering a pig. Artem thrust the sword into the buttock of another who was fleeing and cut off his leg at the bend in the knee.“I'll cut off every last one of your asses! Cut off your asses!” Artem bellowed.A half hour later, the dead were lying, the captured sitting, and the victors doing anything they pleased.“Skorsky, are there a lot of casualties?” I asked the doctor, whose hour it was. I hoped not, because I was too tired to help him.“Just a few. The dead are already dead, and the wounded are not ours.”Though Skorsky rarely asked my help, and though I'd become an ordinary soldier, the doctor in me was still present in the most unpleasant attribute—knowledge. Others saw an eviscerated man, pieces of dusty flesh smeared with clay, soil, sand, and straw. I saw a perfectly formed kidney hanging perfectly from the rest of its body like a child's mitten from its coat. You could try this death on for size. Wear it like a sanbenito of the Inquisition.Artem counted the money and then lay on the floor alongside the gigantic sugar mountain in the middle of the room. From time to time, the crystals rustled as they fell.“I didn't think you'd be such a fighter!” the otaman said without turning toward me. “I thought you'd be healing us. You'd keep to the rear and we'd hide you like a girl. But here you are, in the vanguard, like a lion!”“I got excited,” I told him, choosing not to react to the “girl” part.“’Cause Alina said there was no sense counting on you to fight.”“Really?”“Does that sting?”“Why would it? I'm a doctor—not everyone is. It requires a brain. Unlike waving a sword.”“Yeah, yeah. I gave her gladiolas. We were lying in the boat near that castle, doing all manner of things, and she told me all about you. How you met.”“You were lying in that boat talking about me?”“It was the day before you left Kyiv. You agreed to go with the anarchists so quickly!”“Were you surprised? Doctors make fast decisions.”“But you probably had great prospects. Your parents are rich, right?”“And who are your parents?”“Probably all your relatives fled abroad—bourgeois. Why did you stay?”“What the hell's your point?”“Alina, by the way, died a while ago. Probably.”“Don't jinx her.”“Listen here,” he said, staring at the ceiling. “And listen good. If you have designs on her—dead or alive—it's best you castrate yourself now.”“After you.”“If I want to kill somebody, you know, I just do it.”At last he looked at me. I was lying on the floor nearby and looking in his direction, sweaty and relaxed, my appearance complemented by my disdain for his opinion, his authority, his stupid hat. His everything.Artem raised his arm above his head, stuck a finger in the sugar mountain, and licked it. We both got up. Had I anticipated this turn of events, I would have readied a gift for him. Artem held his revolver. Under my hand I found a knife the workers used for gathering beets: it was a deliberately sharpened arc they sank into the swollen brassicas. I jumped up and quickly stepped around the sugar mountain.Artem's bullet hit a pane and broke the glass.“Not man enough for hand-to-hand?”The otaman shot again.“You should've challenged me to a duel, you romantic!”Encrusted with white crystals, I charged Artem from the sugar mountain. We fell in, and the sugar stuck in our hair, mustaches, nostrils, armpits.The gang ran in to get us apart, then backed off because it had nothing to do with them. By now the sugar mountain had burst its banks. Of the once perfect pyramid, a deformed mound remained.Wounded, Artem fell on the sugar mound, turning the white red.I stood before the gang sugar-coated and holding a bloody hook. The old otaman was drawing his last breath. Blood trickled from the corner of Artem's mouth and streamed from the left side of his breast.“What's the commotion?” Old Roman had just come in.“Be quiet,” the boys told him. And a good thing they did.“You killed him? You killed the otaman!”“Shut your mouth,” the boys told him.“You... ”I slugged Roman's stinky herring mouth. How did that son of a bitch find pickled herring in a sugar factory? My fist was now bigger and stronger than ever before, a steel anvil that could split nails and shatter memorial plaques. The unfortunate man's jaw twisted like an upper millstone that had gone off track from the lower.“Let's get out of here and go to Makhno's camp,” I gave my first order.We galloped so fast the grass burned beneath us. The birds and bugs had no time to fly out of the way; hooves trampled the burrows of rodents who didn't dare crawl out of their holes for a long time after. We raced like no one had ever raced before.The steppe, that sly fox, pretended to be an innocent fool. The steppe said, “I'm like Adam: I don't even know my own name.” But its grass harbored the tracks of thousands of armies and the heels of Herodotus, the crunch of Trypillia vessels, and the smell of Scythian hemp, Roman coins, clay figures of wolf people, the chevrons of Denikin's army, glass from the Chekists’ ruby stars, traces of uranium from flying saucers. I threatened it: “Steppe, show me your layers, or I will burn you, plow you under, flood you.” But it just replied: “I'm like Adam: I don't yet know my name.”I lost geography as if it were a silver coin. It fell out of my pocket and rolled through the feather grass that blanketed the steppe in white foam. The open space ahead was so endless that the whole world might as well have been steppe. If people ended up here from somewhere else, they would conclude they were on another planet. The coin fell and became an argentum, became one with the ring on the hand of the princess who had one green eye and one blue, with the twisted candlestick at the monastery on the other side of the steppe, with melted ingots. It broke down into simpler elements, simpler and simpler yet. The horse carried me spreading the seeds of northern plants to the south, just as southern riders had once brought flowers and weeds to the north. And then I turned back. Just as I had no geography, I had no time. Every night I fell asleep with the thought that the next day I would again race. Through all spacelessness, all timelessness. I exchanged one horse for another, got on a train, on a boat, traversed forty versts on foot—in rain that brought the river up to the road, in heat that overturned cattle. The earth I walked on became mine. Mine was the water in the lakes and springs, clean water, dirty water, enlightened water, contaminated with oil, stinking of algae, of fish that died in wells, stinking of the memory of atrocities, water as clean as broken bread. The water did not become Alina.I was doing this for her: I got the basturma out from under my saddle, sodden with the horse's sweat, sliced the throat of a rich man whose daughter I had danced with at a ball, climbed into a vat of beet juice and took a sugar bath, carried out the expropriation of the savings banks, wiped the sweat from my face with my shirt—and the cloth turned red; I didn't know from what. If it was someone else's blood, I didn't care; if it was my own, even less.We mostly came across Reds. We scraped them up like old red paint on a door in order to repaint the boards black. Black looked better. Red is tasteless, but black has style. Healthy men died before us of myocardial rupture like bunnies found in the nest. The ones whose hearts were sewn of steel wire envied the deceased. Seizing estates, banks, distilleries, and prisons reminded us of gathering in the harvest. If you're too lazy to pick an apple, you can shake the tree; some of the fruit gets bruised when it falls. We seized buildings like we were shaking apple trees. No one picked the fruits, we just shook: shook under the beds, under the tables, behind the curtains. No, there was no picking. We just shook until the red juice spurted from the apples.Near the Khorol River with Father Makhno and me in charge, we captured sixteen machine guns and four cannons, as well as five hundred prisoners who immediately came over to our side. The villagers voluntarily gave us bread and cheese, chickens and kvas. People joined us. The front of the machine-gun cart said “You can't run,” and “You won't catch us” at the back. We took factory after factory. Millions of karbovantsi, thousands of poods of sugar, weapons. We smashed the telephone exchanges and captured the telegraphs. We made alliances with some and then with others. Lenin, Wrangel, Frunze, the Germans, Chinese, Australians, Kaiser Wilhelm II, Cleopatra, Maria Theresa Walburga Amalia Christina. We ran the steppe. There were a hundred thousand of us. There were three hundred thousand of them. There were three hundred thousand of us. There were a million of them. There were two million of them. We were all of humanity. We were so many that we were none.The nobles’ estates were long ago forsaken. In the people's deepest trunks lay silks and guipure laces that were once perhaps used only to cover a table. Five steps from the barn in the direction of the pear tree, some silver candlesticks are buried; there's a plaster figure of an angel in the chicken coop, covered with shit and feathers.I was reluctant to be going to my home, but I didn't see any way out. Fate intended me to be a different being from the one I was before.Here my grandfathers and great-grandfathers were born. Here the ones who caused my grandfathers and great-grandfathers to flee had stopped. When we were still far off I noticed that someone was in the house. It was our men—Skorsky had brought them here, about twenty in all. I asked Sanko, whom I had walked with side by side more than once, where the doctor was now. All the men answered that he was around somewhere, but I didn't see him that evening.In 1918, the spirit of my great-grandfather Stepan, along with my mother and uncle, had gotten into a britzka and scrambled off to Paris, to Napoleon, against whom my great-grandfather had fought with the Cossacks, to whom the Russians promised to return self-rule. Following him in the cart went the soul of Grandpa Oleh, who lost a finger when he cut down the old linden near the house; his second finger was blown off by a cannonball near Balaklava, and later his entire hand was cut off by some Turk. Next went the spirit of my father, also Stepan, who did not take part in any war but died of measles at the age of forty. They all got the hell out of here. First, they went to Kyiv, led by my mother, Tamara Makarivna, in order to collect Uncle's family and me, their son. And their son, it turns out, has now come back to rob his own home (I didn't drive my war buddies away, did I?). It's a shame that I didn't know where the bathtub was, or whatever they bathed me in when I was small. It would have been good to walk through the ranks of anarchists with that basin and tell them all to spit into it.Remembering every room, I carried Alina upstairs to my mother's bedchamber. There was no longer furniture or pictures, only bare walls. The bed and mattress remained, but that was enough. Mother hated noise, so she set up her room far away from the running in the halls and the creaks on the stairs. I adjusted the mattress; in a gap, looking like a stalk of wheat, there lay a gold bracelet that she lost in the haste and that the thieves could not find in the mayhem. I tucked it into my pocket.The place could still be saved. It was strong, built under the leadership of my grandfather, who knew how to do it right. He built a sawmill, a gristmill, a dress factory (today it's probably been ransacked, maybe even by our own men).Alina had a complete, displaced break in her right fibula. We needed water first. I went downstairs—the guys were dragging out the piano like an old cow to the slaughter.“What are you doing with that?”“Taking it out.”“Why?”“What's it to you? We want to have fun.”“Can you play?”“We're not your bourgeois lily-handed bitches.”They couldn't play, but they were famous at destruction. “Noise is the music of the new time,” one of the smarter among them might have said. “But noise is the opposite of music. Just as a rose is the opposite of your ugly mugs,” I'd have responded if there was anyone to say it to. I could also have said that this was a Bosendorfer grand piano, that it was very valuable—but do the guys not deserve such a luxury?“Why are you so boring? We're relaxing.”“Then let me play a little first.”“Go ahead, but fast. One-two.”So I played. As before. My fingers ran up and down the black and white keys, which weren't simply keys of these, the simplest, colors. These were the keys that remembered my fingers specifically—achieved by that slovenly German Katerina, our governess. She knew a bundle of languages, could play the piano, and was interested in the latest scientific discoveries. But she had not an ounce of sympathy for anyone who couldn't master anything on the first try. More than once she hit my pinkie against the black key that remembered every one of its four thousand touches. She would pound it on the key and shout, “Si bémol! Si bémol,” and later bang my fingers and translate, “B flach! B flach!”I played. I could not expose myself, so the only thing I could do was believe in miracles. What if these coarse men saw value in this bit of furniture so unintelligible to them? And what if they didn't destroy it, this emblem of my childhood, my land, my air, which I could protect in no other way? My air. My water.“Shchedryk, shchedryk, shchedrivochka,” one of them who recognized the tune began to sing along.“Look at you.” They did not expect music from me, who had until recently been drinking blood like water.They said, “Again, again!”A group of curious men gathered around me. They were ordinary farmers, thieves, and recidivists, peasants and workers, everyone except for Skorsky. They needed this music as they needed baths. The music cleansed them from the inside, perhaps. They had not heard anything besides the whistle of a bullet, the neighing of a horse, or the knocking of a chisel and the whirring of a saw, amputating limbs, for a long time.But it could not go on long. I did not close the piano lid, just stood and went to fetch water for Alina, leaving the unfinished song for later. The well was to the north—that is, at the “Head.” My father once promised to give me a compass if I could learn to identify the ends of the earth by means of the sun. And to make it easier to remember, I gave each one of them a name: the east where the day begins was “Right” (my right hand), the west “Left,” the north “Head,” and the south “Feet.” Back when I could still do whatever I wanted all day long, I would wake in the morning and say: I'm going to the Feet. The mound was at the Feet, Left had the river, Right had the forest. It was only to the Head that I rarely went, because a village was located there. When the villagers saw me, they would speak in whispers and avoid the master's son.... I wiped her brow and her burning, sunken cheeks. I lay down next to her to feel the heat of her skin.When the fire in Alina calmed slightly, I went out into our orchard. My father had once been given a gift from Japan—a tulip tree that blossomed with yellow-green flowers. It had to have grown in the time that I was away. It would have been fatal had it been cut down. I again took the stairs down into the drawing room and came across nobody—they had all disappeared in search of food or were hidden away in their burrows. In the middle of the hall, like an opened rib cage, was the piano, irreparably shattered.B Flach! B Flach!Translation © Ali Kinsella 2022. (shrink)

In this article, Volodymyr Yermolenko examines the power of ideas to shape social and political events. He is particularly interested in the way misguided or false ideas about Russian and Ukrainian history and politics have contributed to the current Russia-Ukraine war. He also reflects on the way this war has transformed his understanding of some key philosophical concepts, including life, death, and social solidarity.

Preview: /Aaron J. Wendland interviewed by Przemysław Bursztyka/ “What Good Is Philosophy?” took place on 17-19 March 2023, and it aimed to raise the funds required to establish a Centre for Civic Engagement at Kyiv Mohyla Academy. This Centre will provide support for academic and civic institutions in Ukraine to counteract the destabilizing impact that Russia’s invasion has had on Ukrainian higher education and civilian life. Keynotes at the conference were delivered by world-renowned author, Margaret Atwood, one of the most (...) celebrated scholars of Ukrainian history, Timothy Snyder, and two of Ukraine’s preeminent public intellectuals, Mychailo Wynnyckyj and Volodymyr Yermolenko. Lectures were also given by some of the most influential philosophers writing today, including Peter Adamson, Elizabeth Anderson, Seyla Benhabib, Agnes Callard, Quassim Cassam, Tim Crane, Simon Critchley, David Enoch, Peter Godfrey-Smith, Sally Haslanger, Angie Hobbs, Barry Lam, Melissa Lane, Dominic Lopes, Kate Manne, Jeff McMahan, Jennifer Nagel, Philip Pettit, Kieran Setiya, Jason Stanley, Timothy Williamson, and Jonathan Wolff. The closing remarks were delivered by Ukraine’s Ambassador to Canada, Yulia Kovaliv. This benefit event was designed to provide members of the public, individual academics, colleges and universities, professional associations, charitable foundations, and private companies with a way to support students, scholars, and civic institutions in Ukraine. The entire conference is now available to be viewed online via on the Munk School of Global Affairs and Public Policy’s YouTube channel. Here is the relevant link. I encourage everyone who watches the conference to make a donation to support students, scholars, and publicly engaged academics in Ukraine. All donations can be made here. And as the conference organizer, I am extremely grateful for any and every contribution to this cause. (shrink)

The author develops the concept of communicative equality based on Habermas’ theory of communicative action aimed at understanding. Linguistic interaction presupposes communicative equality as a priori condition of mutual understanding. It raises the critical issue of a role and place of misunderstanding and disagreement that we can meet in everyday communication. Following Rancir’s examination of disagreement the author is tracing sensible perception of social inequality by a part of communicators, as well as the emergence of political disagreement as its consequence. (...) The main part of the article devotes to realization of a conflict produced by speaking beings’ equality and experiencing inequality of distribution of parts of the common good. The author analyses Rancir’s innovative interpretation of concepts of politics, the politics of aesthetics, the police, the wrong, and new reading Aristotle’s and Plato’s notion of blaberon. The double logic of communication as both equality in mutual understanding and as the class struggle for social equality is shown, followed Ranciеr, on the example of historian and philoso- pher Ballanche, who in the early 19th century direct compared events of the French Revolution and the secession of Roman plebeians on Aventine Hill. The critics of Habermas’ theory of discursive rationality occupy the particular place of the article. His model of communication rejects an active role of the third person, i.e., the observer’s position in communicative actions oriented towards understanding. But addressing to other historical example of both the theorist-observer and one of Ukrainian revolution 1917–1921 leaders, writer Volodymyr Vynnychenko assists to clarify the meaning of “the third person” in communicative formation of a new political and cultural community. Finally, referring to Schmitt’s concept of the political as the existential conflict of recognition or negation of an opponent’s way of existence allows for a conclusion that studying existential dimension of communication can add to analysis of communication. (shrink)

In the article reviewed the development of Ukrainian historiography 60-90-ies. XIX century figure of Petro Konashevych-Sahaidachny. The figure of Hetman Sahaidachnyy occupied an important place in Early Cossack time. The political and social activist, defender of the Orthodox faith, a distinguished diplomat of his time, the head of the biggest campaigns against the Turks, he was a man that influenced the social life as none of Cossack leaders before. An outstanding figure of the Hetman interests historians who contributed to appearance (...) of a large volume of scientific papers. There are no universal historiographical systematization of the existing researchs that generates problems in the study of person Petro Konashevych. The goal of the article is to highlight the situation of historiographical figure of the hetman Sahaidachnyy in this period. Historical views of Ukrainian historians populist direction Kulish, V. Antonovych and representative national - statist direction M. Kostomarov are analyzed. In the writings of historians of this period have been formulated theory of perception the main outstanding figure of the hetman: as a citizen under the Polish crown, who was obedient executor of the royal will. The opinion of Sahaidachnyy as an independent supervisor relatively mature social community, conscious of reformist organizational activity and considered himself the right to stand at the level of the Polish administration, protecting the interests of their own community by political means - by negotiations. Kulish actually substantiated the idea of perception Sahaidachnyy as a citizen under the Polish Crown, who was obedient executor of the royal will. Volodymyr Antonovych thought Hetman independently acting head relatively mature social community, which considered himself to become valid on level with the Polish administration and defend the interests of their own community by political means - by negotiations. For ideas Kostomarov, to some extent, based interpretation of evolution of Sahaydachnyy as slave Polish crown. The historian, proceeding from its own national-statist conception of historical development, a critical figure of Sahaidachnyy analyzed in terms of the implementation of national affairs and its impact on the formation of state-building elements in the national environment. (shrink)

Doctor of theology, father-professor Ivan Muzychka. As for him, and many scholars, writers, artists, and clerics who liked him in exile, many of them, talented and faithful to Ukraine, have not long been "only" aware that they are in the overwhelming majority of them, like "Ukrainian bourgeois nationalists ", is supposedly the worst enemies of his people. However, the first meetings and conversations with them completely disperse these versions of the communist era. There is an aversion to what was written (...) and those who wrote the desire to return our people to the spiritual treasures of these, I will say figuratively, of the cranes, the key of which has long been not returned to selflessly and passionately loved by them Ukraine. I, the author of the article, has already returned to Ukraine Orthodox Canadian Father of the Faith Stepan Yarmush, Greek Catholic theologian from the USA Volodymyr Oleksyuk, Greek Catholic historian of the Church of Australia, Ivan Shevtsev. The latter has even devoted even six hundred tens of monographs "Ivan Shevtsev - a biography of a Ukrainian-Christian." On the turn, the editors of selected works of the already fundamentalist historian Ivan Ortinsky from Germany. (shrink)

This tenth volume of Collected Papers includes 86 papers in English and Spanish languages comprising 972 pages, written between 2014-2022 by the author alone or in collaboration with the following 105 co-authors (alphabetically ordered) from 26 countries: Abu Sufian, Ali Hassan, Ali Safaa Sadiq, Anirudha Ghosh, Assia Bakali, Atiqe Ur Rahman, Laura Bogdan, Willem K.M. Brauers, Erick González Caballero, Fausto Cavallaro, Gavrilă Calefariu, T. Chalapathi, Victor Christianto, Mihaela Colhon, Sergiu Boris Cononovici, Mamoni Dhar, Irfan Deli, Rebeca Escobar-Jara, Alexandru Gal, N. (...) Gandotra, Sudipta Gayen, Vassilis C. Gerogiannis, Noel Batista Hernández, Hongnian Yu, Hongbo Wang, Mihaiela Iliescu, F. Nirmala Irudayam, Sripati Jha, Darjan Karabašević, T. Katican, Bakhtawar Ali Khan, Hina Khan, Volodymyr Krasnoholovets, R. Kiran Kumar, Manoranjan Kumar Singh, Ranjan Kumar, M. Lathamaheswari, Yasar Mahmood, Nivetha Martin, Adrian Mărgean, Octavian Melinte, Mingcong Deng, Marcel Migdalovici, Monika Moga, Sana Moin, Mohamed Abdel-Basset, Mohamed Elhoseny, Rehab Mohamed, Mohamed Talea, Kalyan Mondal, Muhammad Aslam, Muhammad Aslam Malik, Muhammad Ihsan, Muhammad Naveed Jafar, Muhammad Rayees Ahmad, Muhammad Saeed, Muhammad Saqlain, Muhammad Shabir, Mujahid Abbas, Mumtaz Ali, Radu I. Munteanu, Ghulam Murtaza, Munazza Naz, Tahsin Oner, ‪Gabrijela Popović‬‬‬‬‬, Surapati Pramanik, R. Priya, S.P. Priyadharshini, Midha Qayyum, Quang-Thinh Bui, Shazia Rana, Akbara Rezaei, Jesús Estupiñán Ricardo, Rıdvan Sahin, Saeeda Mirvakili, Said Broumi, A. A. Salama, Flavius Aurelian Sârbu, Ganeshsree Selvachandran, Javid Shabbir, Shio Gai Quek, Son Hoang Le, Florentin Smarandache, Dragiša Stanujkić, S. Sudha, Taha Yasin Ozturk, Zaigham Tahir, The Houw Iong, Ayse Topal, Alptekin Ulutaș, Maikel Yelandi Leyva Vázquez, Rizha Vitania, Luige Vlădăreanu, Victor Vlădăreanu, Ștefan Vlăduțescu, J. Vimala, Dan Valeriu Voinea, Adem Yolcu, Yongfei Feng, Abd El-Nasser H. Zaied, Edmundas Kazimieras Zavadskas.‬‬. (shrink)

Words of gratitude and deep respect for Mariia Dmytrivna Kultaieva from her colleague and student Volodymyr Oleksiyovych Abashnik.

The article of Volodymyr Moroz ―Normative character of the principles of Social doctrine of Catholic Church: an evolutional way of formation - is devoted to the analysis of Catholic Church’s Teaching over the human dignity. Author explores also the process of settling of the principles of common good, subsidiarity and solidarity in the Teaching of Catholic Church. Mentioned principles are investigated in the case of orientation to provide a reverence to transcendent human dignity. Author sums up that all three (...) principles have normative character. That is to say the principles are called to guarantee certain coordination between the social reality and the verities, which were declared by the Social doctrine of the Church. (shrink)

The article is focused on Lesia Ukrainka’s famous drama The Stone Master (Kaminnyi Hospodar), her remake of the Don Juan legend. The author of the article, Ukrainian philosopher Volodymyr Yermolenko, localizes Lesia’s masterpiece in a broader European tradition of the legend. He compares The Stone Master with the previous version of the Don Juan legend, by Tirso de Molina (The Trickster of Seville), Moli re (Dom Juan), Mozart (Don Giovanni), Hoffmann (Don Juan), Grabbe (Faust and Don Juan) and others. (...) He analyzes Lesia’s originality within this tradition. He also reads The Stone Master in the context of the dialogue between different epochs: the Baroque, Classicism, Rococo / Enlightenment, Romanticism, Post-Romanticism. Each of the epochs develops its specific version of Don Juan legend, according to Yermolenko, which reflects a specific concept of human being and human relations developed at each particular period. While the “Baroque” Don Juan of Tirso de Molina marks the crisis of the culture of honor, the “Classicist” Don Juan of Moli re shows the development of a culture of knowledge and general concepts, and the “Romantic” Don Juan of Byron and Hoffmann is a symptorm of a new 19th century culture of will and transformation. In this respect, it is important to look at Lesia Ukrainka’s text as a battleground of “Romantic” will to freedom and “Post-Romantic” (or fin de siècle) will to power. In this context, Yermolenko reads The Stone Master (written in 1912) as a criticism of the fashionable topic of “will to power”, and as a political warning, with Lesia Ukrainka showing the upcoming horrors of the 20th century’s authoritarianism and totalitarianism. With the help of the concept of eropolitics, the author shows how, through the erotic topic, Lesia Ukrainka passed a major political message to her epoch — and ours as well. (shrink)

In the author's article Volodymyr Hurzhy "The current state of the project "Russkyi mir" and the consequences of its implementation in Ukraine" interprets the project "Russian measure" as a new form of the Russian national idea, which always had a relational-mythological core and was associated with ideas about choices Russian people. From the ideological point of view, the doctrine of the "Russkyi mir" is an option of a religiously motivated ideology appealing to the Orthodox values, specifically meaningful Russian history, (...) the Russian language as a marker of the territories to which the project is directed. These parameters make it possible to identify the "Russkyi mir" doctrine as one of the options for post-secular global religious-political projects. The vast majority of Soviet rituals and practices were "absorbed" by the "Russkyi mir" and continue to be preserved and function in modern Russia in the 21st century in a re-imagined form. But now, with the loss of sacrality of the first of the key Soviet holidays - the Day of the October Revolution - the function of "the beginning of a new world" took over the holiday of the Victory Day. This function is enshrined in the collective memory of the people through the annual military parades, the historical reconstruction of the key battles of the Second World War, the spread and consolidation in the public consciousness of the thought of determining the role of the Russian people in gaining victory over Hitler's Germany as an absolute evil. Constantly reproducing an existentially marginal situation, the state affects the key need of its citizens in the sense of global security. These representations in total show new technologies for the deployment of conflict situations, based on global competition in the plane of values. (shrink)

The article examines the peculiarities of the attitude to Greek philosophy in Western Europe and Byzantium in the context of the historical development of the polarity of mentalities and cultures of Ancient Greece and Ancient Rome. On the one hand, the philosophical teachings of Plato/Plotinus and on the other – Aristotle. It is shown that these polarities in their transformed versions manifested themselves in the division of medieval Europe into the Christian East (Greek-speaking and «Greek-minded» Byzantium) as the direct heir (...) of Greek culture, and into the Christian West, as the direct heir of Latin culture. The adoption of Christianity both in the East and the West through «filters» of different mentalities and cultures along with other historical factors, led to the division of Christianity into Orthodoxy (the «Greek» Church) and Catholicism (the «Latin» Church). It is argued that Latin patristics organically grew in the West into the dominance of scholasticism, which was not the case in the Christian East, where the full formation of scholasticism was blocked and it remained in its infancy in a state of protoscholasticism. It is asserted that the Roman Catholic West of the scholastic era (9-14th centuries), based on both Platonism and Aristotelianism, inherits Epistemic-Aristotelian type of philosophizing as a paradigmatic for its theology and philosophy, whereas the Orthodox East, despite all its oscillations, maintains dominant in antiquity, Platonic line of philosophizing as a paradigmatic for its spiritual culture. Through Aristotle, as the "father" and «First-Philosopher» of scolasticism, Christian Aristotelianism has intensively grown and incorporated itself in the culture of Western Europeans and their mentality. The transformation of Aristotelianism into the «inner form of Western civilization" happened (S. Averintsev). (shrink)

У статті розглянуто теоретичний доробок відомого сучасного богослова й дослідника Нового Заповіту Річарда Хейза. Показано, що вчений використовує Писання як підставу для етичного дискурсу і трансформації громади народу Божого в наші дні й пропонує проводити творчі аналогії між оповіддю текстів й оповіддю, яку проживає церква в зовсім інших історичних обставинах. Відзначено новаторський підхід Річарда Хейза до опису новозавітної етики на тлі змін у розумінні новозавітних листів, включаючи перехід від екзегетичних спроб витягти затвердження "істини" на підставі листів Павла до дослідження богослов'я (...) Павла як діалогічного перетину з певними історичними обставинами. Тобто автор представляє послання Павла як герменевтичну модель і закликає своїх читачів ставитися до послань апостола, немовби вони адресовані особисто їм. Виявлено декілька напрямків дослідження Р. Хейзом герменевтики послань Павла: наративна підструктура в Писанні, інтертекстуальний підхід до розуміння використання Старого Заповіту на сторінках Нового, вплив герменевтичних підходів у розумінні питань етики Нового Заповіту. (shrink)

Belief formation and justification of belief is the subject of epistemology, philosophy of mind, and philosophy of action. In this article we are mostly interested in the application of analytic techniques for the explication of belief justification under uncertainty. We need to explicate this phenomenon in order to answer, at least in part, the question of what are the features of reasoning made in conditions that cause doubts, how people make decisions in such conditions. Arguments used for the justification of (...) such decisions have the status of plausible arguments. The crucial issues related to the analysis and evaluation of plausible arguments are of the acceptability of the premises and the transmission of their acceptability to the conclusion. In this article, we have focused on the transition from the premises to the conclusions of plausible arguments, on the transmission of justification of premises to the conclusions. To establish the peculiarities of such a transmission an outline of the semantics for such arguments is proposed. Its key component is the measures of the plausibility of the premises and rules of inference. A plausible argument itself does not provide the ultimate reason for accepting its conclusion. The justification of the conclusion also depends on other arguments that support or defeat it. So to establish the degree of justification of the conclusion we need to attribute the weights to the premises and rules of inference. We hope that this study provides at least a preliminary answer to the question of how the failure of the transmission of justification in plausible arguments differs from the failure of transmission in deductive arguments. (shrink)